You just need to drag them in and press the button. And if I have an audio problem-say, one of the inputs is a bit too quiet-I can drop in an effect like the built-in Volume block in order to boost or reduce the sound before it reaches the recorder, speakers, or both. I know that sounds insanely complicated, and it did take me a few minutes to plot out, but in Audio Hijack 3 it actually looks simple. The same session is also capturing the audio from my microphone and routing that audio to Sound Siphon. For example, you could set up a session that takes all four inputs on a USB mixer and records them to separate audio files, all in sync. Start with a Source, which could be a specific app, input device, or all the audio being played on your Mac.īut you can easily reorder the workflow, pulling blocks apart and rearranging them until you get just the effect you want. The third, Schedule, lets you set triggers so a specific schedule can be executed at a given time. The first, Sessions, is where you create new sessions or double-click to open and edit existing ones. This is a beautifully designed product that combines a clever and intuitive user interface with awesome power and versatility. Customers who purchased Audio Hijack Pro since February of 2014 can download the new software for free.This is a huge update-the first major one for Audio Hijack in ten years-and so comprehensive that this feels more like a successor to the old Audio Hijack rather than a continuation. New users will need to pay the standard $49 price, but people who purchased an Audio Hijack product in the past can upgrade to Audio Hijack 3 for $25. It can be downloaded from the Rogue Amoeba website for $49. Jason Snell of SixColors and Chris Breen of Macworld have both written detailed reviews of Audio Hijack 3 that are well worth reading to get a solid sense of what's new and how the software works.Īudio Hijack 3 is available for Macs running OS X 10.9 and up. For the first time, Audio Hijack can record in lossless FLAC format and in high-efficiency AAC. It's possible to record multiple formats at once, or different sources in sync, and there are simple tools for accessing various audio effects.ĭirty audio can be fixed with Denoise, Declick, and Dehum tools, and there are new preset options for saving configurations. The app is organized into three sections, including Sessions, Recordings, and Schedule, and Session Templates let users complete common tasks quickly. The fully customizable layout means users can configure the exact pipeline they need, to get the audio results they want. Different types of Blocks bring in audio from application and hardware sources (Source Blocks), adjust it with audio effects (Effects Blocks), then record it and send it out to speakers (Output Blocks). The terrific pipeline-style view of exactly how audio flows makes Audio Hijack 3 a snap to learn for veteran and rookie users alike. The most visible change is Audio Hijack's new audio capture interface. Version 3 of the software introduces a new look and dozens of new functions to make this the most full-featured version of Audio Hijack yet.Īudio Hijack 3 includes a new audio capture interface, which lets users see the sound as it's being captured using a pipeline-style view that organizes different types of audio into Blocks for full customization. As described by the company, "if it can be heard on Mac OS X, Audio Hijack can record it."Īudio Hijack 3 follows in the footsteps of Rogue Amoeba's Audio Hijack, which was first released in 2002, and Audio Hijack Pro, a second version that added additional features and support for various audio plugins. Rogue Amoeba today announced the launch of Audio Hijack 3 for Mac, which allows users to record audio from any source, including Skype, Safari, or hardware inputs like microphones.
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